<?xml version="1.0" encoding="UTF-8"?>
<!-- generator="wordpress.com" -->
<urlset xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.sitemaps.org/schemas/sitemap/0.9 http://www.sitemaps.org/schemas/sitemap/0.9/sitemap.xsd"
	xmlns="http://www.sitemaps.org/schemas/sitemap/0.9"
	xmlns:news="http://www.google.com/schemas/sitemap-news/0.9"
	xmlns:image="http://www.google.com/schemas/sitemap-image/1.1"
	>
<url><loc>https://lolaonfilm.com/2026/06/24/blue-moon/</loc><news:news><news:publication><news:name>Lola On Film </news:name><news:language>en</news:language></news:publication><news:publication_date>2026-06-24T14:10:16+00:00</news:publication_date><news:title>Blue Moon</news:title><news:keywords>Film, Film Review, ethan hawke, milana vujkov, lola on film, cinema, Andrew Scott, Richard Linklater, Jean Harlow, Broadway, Margaret Qualley, NYC, Blue Moon, Lorenz Hart, Robert Kaplow, Bobby Cannavale, Simon Delaney, Sardi&#039;s, musicals, theatre, Oklahoma!, alcoholism, closeted, queer history, Patrick Kennedy, Stuart Little, A Connecticut Yankee, rejection, unrequited, Manhattan Melodrama, The Bad In Every Man</news:keywords></news:news><image:image><image:loc>https://lolaonfilm.com/wp-content/uploads/2026/06/blue-moon-2-1827409648-2.jpg?w=150</image:loc></image:image></url></urlset>