Examining the dark heart of laughter and the symbiotic relationship film has with its audiences, how it wires us to think and talk in certain ways, its cultural impact, and its myriad semiotic and cinematic legacies - this was my MA dissertation (Birkbeck, 2005), a bungy jump into the Serbian (and YU) 1980s cinema scene, specifically, four films, and two filmmakers. One day I might programme this whole bonanza into a fest, the way I writ it - from YU Black Wave to Balkan 'Black Humour Brand', and screen the selection in cinemas (Belgrade to London). For now, please enjoy the words, deliciously.
Behold my cursed ancient academic proposal I aimed at studying how we are enchanted by film, using early film theory, post-Jungian analysis & anthropology of ritual, examining ways the moving image could potentially be employed as transformative tool in art therapy. One day I might write about the text's strange travels, good stuff I got out of it, publish a book, or reboot my bid for title of film doctor. For now, please feast on its faded glory, and feel free to cite & link. Yours might be the kiss that revives it. [read more]