2001: A Space Odyssey on 70mm. An Interview With A Magician.

There is no one closer to the enchantment of film than the film projectionist - a craft that is slowly disappearing, as celluloid itself, and should be cherished as cinema treasure. Film, in its essence, is its medium. And the projectionist, therefore, its magician in residence. So consider this an interview with a master, Paul Perkins. Full unedited interview with film projectionist Paul Perkins, first published in edited version for Picturehouse Spotlight, May 2018.

1917

Sam Mendes’s thespian 'single take' virtuoso stunt, a high-wire homage to his WWI veteran grandfather, highlights two things extremely well – film is a director’s medium, and its key ingredient is light. Only celluloid has that required esoteric quality, the materia to absorb and select. Filter reality. So, in a way, 1917 is also Roger Deakins's film. His digital Arri Alexa mimics the medium almost perfectly. Almost. But it has heart. Following one glorious golden thread. Fighting for the next breath. [read more]
★★★★✩

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