Nightmare Alley

Theatrical to a fault, and gorgeous to look at - a goth Norman Rockwell - yet hermetically sealed to any insight that would turn our gaze inward, away from its mesmerising scenery - its characters suffering the same suffocating fate in its dense nocturnal world. In a film noir a lack of air, light, or indeed insight into the internal universe of a character does not necessarily have to be detrimental, given the genres affinity for portraits of mysterious doom, but what it must have is undeniable chemistry between its leads – and here this intricately designed storyline strangely collapses. [read more] ★★★✩✩

Fallen Women of Hollywood Melodrama: 1930s-1950s

Exploring the myth of the fallen woman in classic Hollywood melodrama, via Jungian framework, tracing her historical, religious and literary antecedents, delving into the archetypal realms of the dark, wild feminine projected onto the screen, and her impact on the spectator, male and female. What these femme fatales, gold-diggers, seductresses, fallen angels, and furious housewives subversively revealed was a hidden narrative current underneath the official one, women's own dispossessed femininity, debased, fragmented and demonised, yet so powerfully vibrant and creative. [read more]

Film, the Alchemical Medium: Archetypal Enchantment and the Transformative Potential of the Moving Image

Behold my cursed ancient academic proposal I aimed at studying how we are enchanted by film, using early film theory, post-Jungian analysis & anthropology of ritual, examining ways the moving image could potentially be employed as transformative tool in art therapy. One day I might write about the text's strange travels, good stuff I got out of it, publish a book, or reboot my bid for title of film doctor. For now, please feast on its faded glory, and feel free to cite & link. Yours might be the kiss that revives it. [read more]

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