Fallen Women of Hollywood Melodrama: 1930s-1950s

Exploring the myth of the fallen woman in classic Hollywood melodrama, via Jungian framework, tracing her historical, religious and literary antecedents, delving into the archetypal realms of the dark, wild feminine projected onto the screen, and her impact on the spectator, male and female. What these femme fatales, gold-diggers, seductresses, fallen angels, and furious housewives subversively revealed was a hidden narrative current underneath the official one, women's own dispossessed femininity, debased, fragmented and demonised, yet so powerfully vibrant and creative. [read more]

1917

Sam Mendes’s thespian 'single take' virtuoso stunt, a high-wire homage to his WWI veteran grandfather, highlights two things extremely well – film is a director’s medium, and its key ingredient is light. Only celluloid has that required esoteric quality, the materia to absorb and select. Filter reality. So, in a way, 1917 is also Roger Deakins's film. His digital Arri Alexa mimics the medium almost perfectly. Almost. But it has heart. Following one glorious golden thread. Fighting for the next breath. [read more]
★★★★✩

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