The Witch Of King Cross

A flawed, but fascinating take on Rosaleen Norton, artist & dedicated occultist, notoriously active in 1950s Sydney, using all the tricks of the doc trade to conjure the self-declared witch in her nocturnal glory - showing fault only when it tries too hard to render her safer for the masses by confining her in feminist or archetypal tropes (however apt). An intoxicating brew, offering this truly unique counter-culture figure some posthumous justice. [read more] ★★★★✩

From Door Frame to Freeze Frame: Femmes Ante Portas

A post-Jungian reading, encountering feminine mysteries on celluloid, analysis of the veneration of the Hollywood film icon, tracing the blazing trail of cinema femme fatales, their imagery framed within portals, places where darkness and light meet, the heroines gazing back at us, in defiance, as permanent challenge to imposed authority, transforming, dynamically, into a new animus/anima fluid form of the femme fatale as action figure. [read more]

Fallen Women of Hollywood Melodrama: 1930s-1950s

Exploring the myth of the fallen woman in classic Hollywood melodrama, via Jungian framework, tracing her historical, religious and literary antecedents, delving into the archetypal realms of the dark, wild feminine projected onto the screen, and her impact on the spectator, male and female. What these femme fatales, gold-diggers, seductresses, fallen angels, and furious housewives subversively revealed was a hidden narrative current underneath the official one, women's own dispossessed femininity, debased, fragmented and demonised, yet so powerfully vibrant and creative. [read more]

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