A showreel glorifying the industry of canned dreams, in a backhanded kind of way, it does that pimp thing where it tries to sell you the very stuff it mocks. Its one redeeming feature – Brad Pitt’s actual acting chops. The crack in that eternal sunshine that let the light shine through.
The only way to look at Chernobyl is through a rear-view mirror, the complex ocular shield of the camera. Otherwise, we’d be staring at Medusa’s face, unprotected. An open nuclear reactor core burning our synapses through sheer magnitude of existential incomprehension. An apocalyptic serialised memento mori.