Examining the dark heart of laughter and the symbiotic relationship film has with its audiences, how it wires us to think and talk in certain ways, its cultural impact, and its myriad semiotic and cinematic legacies - this was my MA dissertation (Birkbeck, 2005), a bungy jump into the Serbian (and YU) 1980s cinema scene, specifically, four films, and two filmmakers. One day I might programme this whole bonanza into a fest, the way I writ it - from YU Black Wave to Balkan 'Black Humour Brand', and screen the selection in cinemas (Belgrade to London). For now, please enjoy the words, deliciously.
As cinema, this is somewhat of a whimsy, anywhere between Drunk History, historical reenactment, and a 1980s Eurythmics video, but as conceptual portrayal of the man who invented the 21st century, the enigmatic, eccentric, and ultimately tragic genius that was Nikola Tesla, Michael Almereyda's sweetly bonkers mixtape of a film tribute is pure connoisseur delight. Full throttle meta, and, frankly, eerily accurate. [read more] ★★★★✩
It lands on a piece of me that is yet to accept loss – the devouring of a chunk of my life, of many lives, by the gods of lesser value. This is why I could not take it in any other way than lightly. Giving it my full attention meant giving in to a lack of meaning. A blank canvass of a memory of a home(land) that invites everyone to draw in their own conclusions. All of them true and entirely wrong. [read more]