Black Humour in Serbian Films of the Early Eighties and Its Cultural Consequences: The Cinema of Slobodan Šijan and Dušan Kovačević

Examining the dark heart of laughter and the symbiotic relationship film has with its audiences, how it wires us to think and talk in certain ways, its cultural impact, and its myriad semiotic and cinematic legacies - this was my MA dissertation (Birkbeck, 2005), a bungy jump into the Serbian (and YU) 1980s cinema scene, specifically, four films, and two filmmakers. One day I might programme this whole bonanza into a fest, the way I writ it - from YU Black Wave to Balkan 'Black Humour Brand', and screen the selection in cinemas (Belgrade to London). For now, please enjoy the words, deliciously.

Fallen Women of Hollywood Melodrama: 1930s-1950s

Exploring the myth of the fallen woman in classic Hollywood melodrama, via Jungian framework, tracing her historical, religious and literary antecedents, delving into the archetypal realms of the dark, wild feminine projected onto the screen, and her impact on the spectator, male and female. What these femme fatales, gold-diggers, seductresses, fallen angels, and furious housewives subversively revealed was a hidden narrative current underneath the official one, women's own dispossessed femininity, debased, fragmented and demonised, yet so powerfully vibrant and creative. [read more]

Archetypal Enchantment And The Twin Of David Lynch

There is something in the nature of a recording that defies rational explanation. It is a replica of life, its twin and its double, and yet, it is also its deathly echo, preserving life by embalming it for eternity, or at least until the shelf life of the medium itself expires. Some images have the numinosity to affect us deeply, a capacity to both heal and destroy. They represent evidence of an alternate existence, glimpses of a double life, our twin in the archetypal world, skin in the game of immortality. Lynch evokes this quality perfectly in his work. [read more]

Film, the Alchemical Medium: Archetypal Enchantment and the Transformative Potential of the Moving Image

Behold my cursed ancient academic proposal I aimed at studying how we are enchanted by film, using early film theory, post-Jungian analysis & anthropology of ritual, examining ways the moving image could potentially be employed as transformative tool in art therapy. One day I might write about the text's strange travels, good stuff I got out of it, publish a book, or reboot my bid for title of film doctor. For now, please feast on its faded glory, and feel free to cite & link. Yours might be the kiss that revives it. [read more]

Oscars 2018: Eating Cake

What I reckon the aftermath of Oscars 2018 will be is what I see every day - the sheer hypocrisy of an industry built on appearances will soak in all the good intentions, appropriate the sentiments, and pretty much do the same thing as always - profit, pander and exclude.  But it will have a dent in its side, a vulnerability in its veneer - a slightly less relaxed attitude about being called out for what it does every day. Precisely. [read more]

The Festival Of Fences

Social exclusion has many faces, the most obvious ones are the ones least discussed. For example, why is the audience cordoned off so that the performers and informers can pass by? Are they to serve the public, or to rule it? If they say they are inviting you in, walk in. See what happens. [read more]

Lola says…

Lola On Film is designed to deconstruct the spectacle, measure empty calories, offer nutritional insights on films newly released, as well as archival treasures, assess the state of contemporary film culture, explore new formats, and hopefully, illuminate cinema's place in society, as well as in our individual psychology. To follow Lola On Film, please enter your email address below, and press subscribe. [read more]

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