Lola On Film is designed to deconstruct the spectacle, measure empty calories, offer nutritional insights on films newly released, as well as archival treasures (and junk), assess the state of film culture, and illuminate cinema’s place in society, as well as in our individual psychology.
In Filmology I go a bit more esoteric, contemplating on film, psychology & the metaphysics of cinema, focusing on the moving image as a therapeutic tool:
Chernobyl HBO Aftermath: Seeing In The Dark
The ABC Murders & Fascism Redux
Film vs. Death: One More Time With Feeling (revisited)
Sharp Objects, and the Initiation of the Screen She-Shaman
If you’d like to check out some of my older work in film theory, I’ve uploaded a few papers on Scribd:
Archetypal Enchantment and the Twin of David Lynch
Paper/Presentation; CUNY Graduate Centre, New York, 2010; Cinematic Desire: A Cinema Studies Group interdisciplinary graduate conference;
From Door Frame to Freeze Frame: Femmes Ante Portas
Paper/ Presentation; CUNY Graduate Center, New York, USA, 2008, Framed: Delimiting the Film Image, A Cinema Studies Group interdisciplinary graduate conference;
Black Humour in Serbian Films of the Early Eighties and Its Cultural Consequences: The Cinema of Slobodan Šijan and Dušan Kovačević
MA Dissertation, 2005, Birkbeck College, University of London, Tutor: Prof. Laura Mulvey
The Magic of Joy: Cinema of Emir Kusturica, From Realism to Magical Reality
Essay, 2004, European Cinema, Birkbeck College, University of London
Other people on my film work:
Humor and Nonviolent Struggle in Serbia By Janjira Sombatpoonsiri
