Examining the dark heart of laughter and the symbiotic relationship film has with its audiences, how it wires us to think and talk in certain ways, its cultural impact, and its myriad semiotic and cinematic legacies - this was my MA dissertation (Birkbeck, 2005), a bungy jump into the Serbian (and YU) 1980s cinema scene, specifically, four films, and two filmmakers. One day I might programme this whole bonanza into a fest, the way I writ it - from YU Black Wave to Balkan 'Black Humour Brand', and screen the selection in cinemas (Belgrade to London). For now, please enjoy the words, deliciously.
This is no comedy - not that it isn't darkly funny, in a Bretonian 'gallows with lighting rod' kind of way, depicting humour not as a relief, but at the centre of the disease, a punctured ulcer reeking of that which it could not any longer contain. [read more]