Golden Globes 2020: Anarchy, Pomp & Circumstance

The human need for a pedestal is to look up to something that is desired, and ultimately, to be achieved. That particular social contract breaks when the chosen begin to look down at the rabble in complete disdain. If in doubt, read up on the French Revolution. And have some cake. The tyranny of being special purely for being wonderfully presentational. Suddenly, who makes that (free) speech begins to count again. [read more]

Judy

This might be a gold standard Hollywood biopic, with the melodrama sentiments & fan mail, the pale devastation of the flesh smoothed over by flashbacks re-visioning studio corruption and blanket emotional abuse as a technicolor Oz nightmare. But, at its center, is a performance so raw, tender, and gut-wrenching that all the glitz only serves as a mere proverbial curtain. [read more] ★★★★✩

Once Upon A Time In Hollywood

A showreel glorifying the industry of canned dreams, in a backhanded kind of way, it does that pimp thing where it tries to sell you the very stuff it mocks. Its one redeeming feature - Brad Pitt's actual acting chops. The crack in that eternal sunshine that let the light shine through. [read more] ★★✩✩✩

Chernobyl HBO Aftermath: Seeing In The Dark

The only way to look at Chernobyl is through a rear-view mirror, the complex ocular shield of the camera. Otherwise, we'd be staring at Medusa's face, unprotected. An open nuclear reactor core burning our synapses through sheer magnitude of existential incomprehension. An apocalyptic serialised memento mori. [read more]

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